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mala- riooi nu Toaodings justify the melancholy name ; hot once Dpoa a lime all aroaod the great ril U rose houses of retainers, and lo front was a noble piazza which thev uacd to compare lo Saint Mark's. Daniele, and certainly must have called a smile to the lips of Marcantonio, the grave ambassador, who loved Uvely jests, and who engraved tbem, too, under the figures be modelled for the grotto in the 1 C«cciaoig», Ricordo delta prouincia di Treoiio, LI. 74 VENICE IN THE GOLDEN AGE garden,* — for example, iheae verses for a group repre- sentiiig Acteeon and Diana : In ways like this the men who were to be shortly called upon to guide the State filled up the leisure of iheir country life ; and thus, too, luxury and splendour spread from the city to the country in the train of the great personages who passed the summer months in their villas or were sent to govern the mainland towns.

The floors were still made of scagiola ie ruin of the pbce and i U sad. perhaps, without a spice of looseness here and there, that could hardly shock even the Patriarch of Aquileia. * The most important of thene aumpluarj Uw» dei Reggimenti were pitied b^ the Senate on the followios datei, June aq.

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also furnished with tro- phies of arms, damascened bucklers, standards, and Imnners.^ The doors, with mouldings ui precious marbles, led to the various lofty and deoc»ated apar C ments, the reception and drawing rooms, each one of which would make a suite by itself. And in the evening, when Veronese had come down from his scaffolding, his hand wearied by the endeavour to keep pace with the flight of his imagina- tion, when Palladio had finished the model for a capital, or sketched the harmonious curve of a ceiling or relief of a cornice, when Viltoria had abandoned for the day his mouldings that emulated the most delicate carving in marble, and the master of the house, Marcantonio, their worthy compeer, laid aside his mod- elling tools, they all would meet in the banqueting- room,' and forget fatigue at the sumptuous board, in the beaker brimming with the wine of Asolo ; the brilliant conversation flowed along, not.

i88g, Lo Tirini, Nol UU lal nii:ianie, in the Giomate Star, delta fell. The price was fixed at one hundred ducats of lire 6. ' On the subject of such organs ancient Venetian documents tbrow some light; for example, in e deed of the notary Marco Micheli dated August. wc End mentioned nnum organum ex papiio earn iuh mant Uibui rl plamb U (Ankivio Venrto. 5 Poetri the C ends ^ Bon Tiiidoppiar li fesli Si dw. Poetry appears, and pays complii the Collegia, the beautiful city ; ends with this song : nents to the Prince, and the performance Lieti dt, felici tmle Senii co» che t'anaoi, Li bo Dtl del Re celeile V'apra offnl taao, o cfaii H Eroi. Tlie flight of steps conlinned lo the highly decorated first Door, or pku90 mobile, where one entered first the great bal K or porie^. Inall this joyous profusion of colour and of form we find, too, the lifelike, vivacious portrails of Marcanlonio Garbaro's family, and of Benedetto Caliari, the great master's brother, and possibly his assistant at Maser.

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You can search through the full text of this book on the web at | //books .google .com/I VENICE Part II, Volumb II VENICE Part II, Volumb II VENICE ITS INDIVIDUAL GROWTH FROM THE EARLIEST BEGINNINGS TO THE FALL OF THE REPUBLIC BY POMPEO MOLMENTI TRANSLATED BY HORATIO F. I • • •* • •• • *• PAGE CONTENTS Chapter X Scenic Represenlalions — Mummeries — Tragedy and Comedy — The First Pernuinent Thea- Ires — Music and the Beginnings of Musical Drama i Chapteb XI Palaces and Houses — The Gardens of Murano and the Villas on the Mainland .... The Ecerinis, a Latin tragedy written by the Paduan Albcrtino Mussato during the early years of the Trecento, though vigorous in feeling and sound in art, exercised but httle influence on the drama of its time. The Prague was written afier the first quarter of the fifteenth century, but was not acted till i558. Pailertxmi, i8c (German) and momer {Old Freo Gli)and the modem French monurfe. in Italian tulibola or hala; hence the phri M tlarftr dt U bombe. ideas, costume, and taste of tl: lie underwent i le peopi gradual change, and in place of comedies translated or adapted from the antique they came to prefer this new style in which the wildest of plots, the most fantastic costumes, the most elaborate mounting were served up with a piquant sauce in the phraseology of the fixed characters or masks, whose numbers grew, and who acquired new forms and new characteristics as the theatre developed, and in addition to the Vecchto, the Mugnijico, the Maltaccino, the Faccldno, old friends at Carnival lime, we get the Baraltino, the VUhno, the Zany and his derivatives, Harlequin and Brigliella, who in their turn pass from the stage to the joyous rout of tlic piazza in carnival. and accepted the judgment "de iotelligonti organisti," and id case it were not " cornu- ciuto par biiono et porfetlo" Ihej were bound " tuorlo indriedo," and to refund the money advanced. From the first landing a number of chambers, divided by partition walls and therefore called merru or anie:^»d! These served as offices adhere the business of the fiimily was oonducled. an ape, a parrot, an old woman pointing out to a girl a handsome youth with a hound in ieash. Lace at once assumed its place as the refined and graceful adjunct of all clothing, ■ Gbirardini.



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